![]() It smartly turns that balancing act into a plot point. What’s really remarkable is that Force takes these hand-me-down elements and weaves them into something that’s both familiar enough to satisfy longtime fans and fresh enough to earn legions of new ones. ![]() There’s a son estranged from his father, both men on opposite sides of a war that pits scrappy rebels against a planet-destroying regime there’s a restless youth who regards the stars from a dusty desert planet there’s a hotshot pilot (two of them, actually) a grungy little droid that carries vital information a helmeted and black-clad villain who takes orders from a mysterious despot and more outer-space dogfights and funky aliens than you can shake a lightsaber at. It’s best not to go into much detail about the plot-which is ironic, since Abrams and his co-writers (including The Empire Strikes Back and Return of the Jedi scribe Lawrence Kasdan) have approached The Force Awakens as a greatest-hits compilation of Star Wars plot devices. Best of all-and unlike the last three installments-it’s a lot of fun.Ībrams, who has made a career of minding franchises, directs the film like the superfan he is, and it often feels more like a mixtape than a sequel. At its worst, it still coasts along nicely on the considerable charms of its cast, both old and new, and the sheer power of the nostalgia it so effectively evokes. At its best, The Force Awakens is a rapturous, soaring adventure movie that almost perfectly mimics the tone of the 1977 original and its first two sequels. It was an ambitious goal, but Abrams has succeeded. Abrams’ determination to get the franchise back on track after George Lucas’ famously disappointing prequels. But he could just as well be announcing director and co-writer J.J. ![]() The new Star Wars film opens with a bold promise: “This will begin to make things right.” It’s a line spoken by a robed and bearded Max von Sydow, who’s talking about a map that will hopefully lead the good guys to a certain missing Jedi.
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